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Brooklyn Gal

Village Triangle

There they were, their somber faces staring out at us from shadowy black-and-white photos in Monday’s edition of The New York Times: four of the six immigrant victims of the Triangle Shirtwaist Company fire, finally identified after dying in obscurity ten decades ago. March 25th marks the 100-year anniversary of the tragic Greenwich Village factory fire that claimed the lives of 146 men and women and prompted the creation of empowering organizations like the International Ladies’ Garment Workers’ Union.

We here at the Brooklyn Gal have always been fascinated by old-timey New York City so we were quite moved by this haunting NYT article. And we tip our hats to Michael Hirsch, an amateur genealogist, historian and co-producer of HBO’s upcoming documentary Triangle: Remembering the Fire, who tenaciously researched sundry documents, including census records, death certificates and ethnic publications to solve this longtime puzzle of lost identity.

Sure, we wonder what the fashions on the street were like back in 1911 – perhaps bustle- or hobble-skirts, crisp shirtwaists, like those churned out by the Triangle and sturdy black lace-up granny boots – but what we really ask ourselves is what would have become of these oppressed workers (and their descendants) had they been given the chance to live full, happy lives?

So as we walk the city blocks in the weeks to come, we vow to say a silent prayer for the recently named men and women and the other victims, too, all of whom lost their lives trying to scrape a living together in the promised land of downtown Manhattan.

 

Bow Me Over

Blouse in the House

The Brooklyn Gal’s latest obsession, the droopy bowed blouse, sort of took us by surprise. After all, we’ve always associated those knotted-at-the-neck numbers with cheesy fabrics, disco-era silhouettes and romantic poets. That is, until we saw The King’s Speech a month or two ago.

There we sat, bewitched by Helena Bonham Carter’s queenly hats and elegant ensembles (which we later discovered were made or custom-tweaked from vintage frockerie by costume designer Jenny Beavan), when something rather extraordinary flitted across the screen: the fetchingly feminine bow-necked blouse worn by character Myrtle Logue (Jennifer Ehle), wife of speech therapist Lionel (Geoffrey Rush). There she was, a retro dream sprung to life, and there she wasn’t, leaving us in need of another bow-blouse glamour fix, straightaway.

And so the BG went a-looking. We rediscovered a gorgeous silk-satin crepe tie-neck rendition from Chloé’s recent fall collection, featured, funnily enough, in The New York Times story about dressing à la Charlie, that fabulous devil-may-care girl in Revlon’s 1970s perfume ads. And we also fell for Wes Gordon’s soigné interpretation for next fall, which he showed, paired with high-waist wide-leg trousers, during Fashion Week in NYC.

Miles of Style

But chances are we will probably never button up these beauties for real. We will not stride across the street, head tall, tie loosely looped and billowing in the breeze, because, heck, without that model-esque height we would not be wearing the blouse – the blouse would wear us.

And so we’ll leave it at that, another fashion fantasy. It’s still the stuff dreams are made of.

 

The Lock of Love

With Valentine’s Day just around the corner the Brooklyn Gal’s thoughts naturally turn toward…gold lockets. Corny, we know, but we’ve always had a thing for delicate little hearts engraved with curlicue patterns or studded with diamond specks. And when they open and close with a tiny clasp, with enough room for a dime-sized photo, heck, our hearts just go pitter-pat.

We’ve come across some irresistible lockets lately while browsing online, like a Victorian sapphire and pearl beauty from Doyle & Doyle, a haven of vintage wonders, a charmer from Flotsam & Jetsam at the ever-adorable Catbird in Williamsburg and a lovely rose gold number from Yayoi Forest at Steven Alan. Nonetheless, we’re still smitten with the one locket that got away, or rather, the one we failed to buy one early fall day.

It was, without a doubt, a real sweetheart, and we spied it while browsing in Assembly New York, one of the coolest boutiques on the LES. The salesperson told us that it was a relic from WWII, and, like many of its ilk, had once contained a lock of hair inside, a token from a girl back home to her soldier at the front. Fittingly, such WWII trinkets were called sweetheart lockets (and yes, there were pins too) and they usually bore U.S. Air Force, Army, Marine Corps and Navy insignias.

We here at the BG have always had a weakness for treasures with a backstory. Should we ever venture upon such a find again we will not hesitate to snap it up. Unless, of course, our amour gets there first!

 

The Washington Post – The Impulsive Traveler: A Vermont town straight out of Currier & Ives

On weekends when my husband and I feel the need to leave our urban lives behind for a spell, we drive about four hours from Brooklyn, N.Y., to southern Vermont, where we’re greeted by my mother-in-law and her handsome golden-haired dog. Luckily for us, she owns a lovely vacation home in a rambling residential community called Chimney Hill, just a short drive from the quaint village of Wilmington. Come holiday weekends, when the guest ranks quadruple, we rent a house next door and enjoy the best of both worlds: family togetherness and a dose of privacy.

On a recent visit, after lolling in front of her wood-burning stove and taking a stroll through the woodsy, secluded Chimney Hill roads (eyes wide open for errant black bears), I joined the family pack and ventured, as tradition dictates, into town to bop around the inviting boutiques and galleries.

Winter, spring, summer and fall, the historic district on (and off) Wilmington’s West Main Street never loses its magical aura. Beautifully preserved landmarks include the cedar-shingled Crafts Inn, which once welcomed such famous guests as President William Howard Taft, and adjacent Memorial Hall, where we saw folk singer Odetta perform a few years ago. Both built by architect Stanford White in 1902, they evoke a bygone era. When it snows, the white-blanketed streetscape feels like a Currier & Ives print sprung to life, and it’s easy to imagine that the Yankees of yore still inhabit the late-Colonial and Colonial Revival buildings.

“There’s a warm, classic New England feel to the downtown area,” says Laura Sibilia, executive director of the Mount Snow Valley Chamber of Commerce, noting that village zoning has put the kibosh on big-box commercialization, so the town is historically intact. And it’s not uncommon in the winter, she says, to see people snowshoeing or skating on the Deerfield River, which runs through town.

Another local sight: Dot’s, a retro-perfect neon-signed diner in a former Wilmington post office building dating back to 1832. “Even on a cold January morning, there’s a line out the door with people waiting for their Berry Berry pancakes – with good reason,” says Sibilia. When we join the throngs, I order spicy Cajun scrambled eggs, with a pile of homemade sunflower cracked-wheat toast. That bread, manager Mitch Soskin tells me, is as popular as those mixed berry flapjacks and the blue-plate specials served at dinnertime.

Such affection for the reassuringly familiar also extends to the Anchor Seafood restaurant, which burned to the ground a year ago on Martin Luther King Day weekend. The new, historically correct incarnation, which opened on Oct. 21, mirrors the 1850s original and fits right in with its venerable neighbors. “When you look at it from the outside it’s almost like it was never gone,” says owner Susan Lawrence. She says that business has been brisk since it rose again, and the former menu remains unaltered. “Our customers would probably have our head if we changed things up on them,” she explained.

Farther down the street, I poke into a restored and repurposed church that now houses the Young & Constantin Gallery. Proprietor Liz Wheeler features mostly local and regional artists, showcasing everything from wooden kaleidoscopes to New England landscapes in the airy two-story space. The work is arresting and the white clapboard setting equally so.

I detect a buoyancy in the air as I make my customary trek from the gallery to Manyu’s, a fashionable women’s boutique with a city edge, and Quaigh Design Centre, renowned for its Scottish capes, to the Incurable Romantic, a historic white house bursting with silk flowers, stylish women’s wear, sparkly jewelry and intoxicating lotions, and to Bartleby’s Books, teeming with browsers. “I think the downtown here, the village, is feeling reasonably vibrant,” muses Lisa Sullivan, proprietor of Bartleby’s, president of the Chamber of Commerce and owner of the Book Cellar in Brattleboro, about 20 miles away. “When the Anchor burned down it was ‘Uh-oh, is that going to come back?’ and it did. There are a number of restaurants to go to and a number of unique little shops. I think that travelers like that little piece of authenticity.”

Sullivan says that she has seen a 15 percent uptick in business since moving into more prominent West Main Street quarters last year. With tables and chairs scattered about and shelves appealingly crammed with such bestsellers as David Sedaris’s “Squirrel Seeks Chipmunk” and Jonathan Franzen’s “Freedom,” the low-ceilinged digs exude a cozy air that’s catnip to book junkies like me. Lending local flavor: a wealth of titles from Vermont-based authors, including Archer Mayor, who pens a popular detective series, and books such as Jeremy K. Davis’s newly released “The Lost Ski Areas of Southern Vermont,” which appeal to the winter sports folks who swarm the town between alpine adventures.

The big-mountain pleasures of Mount Snow, about seven miles north in the Green Mountain National Forest, are of course close at hand. Skiers and snowboarders whoosh down what Vinnie Lewis, Mount Snow’s events and public relations manager, calls “the best snow surface possible,” the result of $10 million in fan guns – state-of-the-art snowmaking technology – installed over the past three years. Then there’s Adams Family Farm in Wilmington, with traditional sleigh rides pulled by Belgian draft horses, and a skating rink at the handsome Hermitage Inn in nearby West Dover.

My snow sport of choice: tubing down the sloping hill in front of the White House Inn, a picturesque, amenity-laden 16-room property that sits right outside downtown. “We have the best tubing hill in southern Vermont,” maintains owner Stacey Tabor. Though it’s a bit of a nail-biter, I find the ride to the foot of the incline an exhilarating rush, and the hike back up a workout for the hamstrings.

Such exertion calls for a reward, and the recently renovated inn offers many, including rejuvenating spa treatments, cocktails at the cozy tavern’s new mahogany bar beside the wood-burning fireplace and a just-launched game room.

Plenty more reasons for this city mouse to return to Wilmington – again and again.